Yes; when the ways oppose —
When the hard means rebel,
Fairer the work outgrows, —
More potent far the spell.
O POET, then, forbear
The loosely-sandalled verse,
Choose rather thou to wear
The buskin — straight and terse;
Leave to the tiro’s hand
The limp and shapeless style,
See that thy form demand
The labour of the file.
SCULPTOR, do thou discard
The yielding clay, — consign
To Paros marble hard
The beauty of thy line; —
Model thy Satyr’s face
In bronze of Syracuse;
In the veined agate trace
The profile of thy Muse.
PAINTER, that still must mix
But transient tints anew,
Thou in the furnace fix
The firm enamel’s hue;
Let the smooth tile receive
Thy dove-drawn Erycine;
Thy Sirens blue at eve
Coiled in a wash of wine.
All passes. ART alone
Enduring stays to us;
The Bust outlasts the throne, —
The Coin, Tiberius;
Even the Gods must go;
Only the lofty Rhyme
Not countless years o’erthrow, —
Not long array of time.
Paint, chisel, then, or write;
But, that the work surpass,
With the hard fashion fight, —
With the resisting mass.